Post by christine73 on Dec 28, 2015 18:11:19 GMT -5
Posted by chris
9/23/2011
And this one is from SYDSVENSKAN
www.sydsvenskan.se/kultur-och-nojen/film/filmrecensioner/article1549298/.html
Sverige, 2011. Regi: Björn Runge. Med: Ann Petrén, Peter Andersson, Malin Buska, Gustaf Skarsgård, Johan Widerberg. Åldersgräns: 15 år. Längd: 1.40.
Artist: Happy End
Genre: Drama
Utkom år: 2011
Text: Annika Gustafsson
google translate
Bjorn Runge's return in Swedish filmliv after several years of theater work is awaited. After "If I turn" (2003) and "Mouth to Mouth" (2005), he goes further on the theme of the individual's opportunity for a second chance in life, when life both literally and figuratively crashing because of lies, deceit and, above all fear of really dare to see themselves and are confronted with the image. Runge moving again hemvant between different social environments and never shy away for the darkest, dirtiest and most violent in the community. Der gives his films a heavy credibility. As before, he concentrates on, now with the script of the experienced Dane Kim Fupz Aakeson, the relationships between both parents and children and couples of all ages. The focus is on bilskolläraren Jonna, played by the ever-fascinating Ann Petra. She has a seemingly casual body language and recognizable lines but gradually reveals still her evasions and half truths in relation to the mentally unstable, painting his son Peter (Gustaf Skarsgard). Letting Jonna teach how to drive, how you have to keep distance, margins, avoiding potholes, etc. is a clear, good picture of how people try to maneuver between unpleasant, demanding emotions. The interaction with both Skarsgard and Peter Andersson (Marten), who drove drunk and got rid of the license, is pure pleasure. Overall consolidates Bjorn Runge's position as one of the nation's leading personal directors in the Bergman tradition. It is particularly noticeable when he is working with newcomer Malin Busk (Katrin). She plays Jonna's young cleaning lady, sitting model for Peter who falls in love with her and becomes one of history's dramatic hub. Johan Widerberg makes Katrin's abusive boyfriend Asger. While using Runge and photographer Ulf burnt by a kind of double exposure to signal the personality change that occurs prior to each assault. It is not enough to understand his character. Asgergestalten developed at least and hangs low in the air. No shadow falls over the most excellent Widerberg, since the error is on the script level. Runge relies on the actors, dare to hold the camera still and let the scenes take time. The style is more straightforward, avklarnad, compared with that of the earlier works.
9/23/2011
And this one is from SYDSVENSKAN
www.sydsvenskan.se/kultur-och-nojen/film/filmrecensioner/article1549298/.html
Sverige, 2011. Regi: Björn Runge. Med: Ann Petrén, Peter Andersson, Malin Buska, Gustaf Skarsgård, Johan Widerberg. Åldersgräns: 15 år. Längd: 1.40.
Artist: Happy End
Genre: Drama
Utkom år: 2011
Text: Annika Gustafsson
google translate
Bjorn Runge's return in Swedish filmliv after several years of theater work is awaited. After "If I turn" (2003) and "Mouth to Mouth" (2005), he goes further on the theme of the individual's opportunity for a second chance in life, when life both literally and figuratively crashing because of lies, deceit and, above all fear of really dare to see themselves and are confronted with the image. Runge moving again hemvant between different social environments and never shy away for the darkest, dirtiest and most violent in the community. Der gives his films a heavy credibility. As before, he concentrates on, now with the script of the experienced Dane Kim Fupz Aakeson, the relationships between both parents and children and couples of all ages. The focus is on bilskolläraren Jonna, played by the ever-fascinating Ann Petra. She has a seemingly casual body language and recognizable lines but gradually reveals still her evasions and half truths in relation to the mentally unstable, painting his son Peter (Gustaf Skarsgard). Letting Jonna teach how to drive, how you have to keep distance, margins, avoiding potholes, etc. is a clear, good picture of how people try to maneuver between unpleasant, demanding emotions. The interaction with both Skarsgard and Peter Andersson (Marten), who drove drunk and got rid of the license, is pure pleasure. Overall consolidates Bjorn Runge's position as one of the nation's leading personal directors in the Bergman tradition. It is particularly noticeable when he is working with newcomer Malin Busk (Katrin). She plays Jonna's young cleaning lady, sitting model for Peter who falls in love with her and becomes one of history's dramatic hub. Johan Widerberg makes Katrin's abusive boyfriend Asger. While using Runge and photographer Ulf burnt by a kind of double exposure to signal the personality change that occurs prior to each assault. It is not enough to understand his character. Asgergestalten developed at least and hangs low in the air. No shadow falls over the most excellent Widerberg, since the error is on the script level. Runge relies on the actors, dare to hold the camera still and let the scenes take time. The style is more straightforward, avklarnad, compared with that of the earlier works.