Post by christine73 on Jan 4, 2016 23:44:42 GMT -5
posted by ohva
9/6/2013
Melinda Kinnaman enthralls audience
SvD Kultur
YLVA LAGERCRANTZ SPINDLER
November 24, 2012
GOOGLE TRANSLATE
THEATRE
I DO NOT WANT TO DIE, I JUST DO NOT WANT TO LIVE
By: Ann Heberlein.
Dramatization: Åsa Lindholm.
Registration, processing, production design: Sunil Munshi
Dramatic, Målarsalen
There is no question about any chic aesthetic cultural anxiety: a small wearable writer's block or delightful aura of creative madness. There we are told in the very first scene.
No, this is pure hell anxiety. An ugly, unflattering and naked marathon that can hardly digest presents with a hip opening mingle, but rather hiding in a worn, neon glowing emergency room at St. Lars four o'clock in the morning after the demons have torn your inner bloody all night.
But first, it's hard to believe that there is a dark side of Kinna's Melinda Ann, refined dressed in shiny black eel-skin, high heels and the blonde Pagen perfectly in place. This is a woman who has control of the situation, haS PhDs, is a successful cultural writer and also a compassionate mother of three who loved ones from the lectures and make sure that children are always well dressed - even after his death.
For death is something she also carefully plan into their life schedule. It is only when she turns her back to the audience as we look to the sleek, black label dress is uppsliten the back. The skin as white and tender crack. Forest Raw and fairy at the same time.
The one and a half hours pilots Melinda Kinnaman us through this complex monologue about a woman who deep down do not want to die, but not able to live. We follow her through both her strong manic as deep depressive episodes. It is a shocking journey but Kinnaman enthralls the audience from the first reply. Then you will be sitting there, breathless. It is incredibly touching portrayed.
"I do not wanna die, I do not just want to live the" researcher and author Ann Heberleins autobiographical book from 2009 about how it is to live medbipolär disease, type 2, also called manic depression, which in Åsa Lindholm's dramatization is has already played successfully at city theaters in Gothenburg and Uppsala. When Sunil Munshi, also current with "Lady Hutton's lover" in Uppsala, put it up in Dramatic so it is with death rock feel and an abundance of gallows humor. And the ceiling hanging microphone on a wire. As a lifeline and snare at the same time.
The monologues of our time, and with women, almost always involves deeply tragic condition suicidal thoughts and eating disorders - think Sarah Kane's "4:48 Psychosis" and also in a straight line through the Lo Kauppi "Bergsprängardottern that exploded" and now Ann Heberleins piece - is another thing to ponder after strålkastarljusen has gone out in the auditorium.
9/6/2013
Melinda Kinnaman enthralls audience
SvD Kultur
YLVA LAGERCRANTZ SPINDLER
November 24, 2012
GOOGLE TRANSLATE
THEATRE
I DO NOT WANT TO DIE, I JUST DO NOT WANT TO LIVE
By: Ann Heberlein.
Dramatization: Åsa Lindholm.
Registration, processing, production design: Sunil Munshi
Dramatic, Målarsalen
There is no question about any chic aesthetic cultural anxiety: a small wearable writer's block or delightful aura of creative madness. There we are told in the very first scene.
No, this is pure hell anxiety. An ugly, unflattering and naked marathon that can hardly digest presents with a hip opening mingle, but rather hiding in a worn, neon glowing emergency room at St. Lars four o'clock in the morning after the demons have torn your inner bloody all night.
But first, it's hard to believe that there is a dark side of Kinna's Melinda Ann, refined dressed in shiny black eel-skin, high heels and the blonde Pagen perfectly in place. This is a woman who has control of the situation, haS PhDs, is a successful cultural writer and also a compassionate mother of three who loved ones from the lectures and make sure that children are always well dressed - even after his death.
For death is something she also carefully plan into their life schedule. It is only when she turns her back to the audience as we look to the sleek, black label dress is uppsliten the back. The skin as white and tender crack. Forest Raw and fairy at the same time.
The one and a half hours pilots Melinda Kinnaman us through this complex monologue about a woman who deep down do not want to die, but not able to live. We follow her through both her strong manic as deep depressive episodes. It is a shocking journey but Kinnaman enthralls the audience from the first reply. Then you will be sitting there, breathless. It is incredibly touching portrayed.
"I do not wanna die, I do not just want to live the" researcher and author Ann Heberleins autobiographical book from 2009 about how it is to live medbipolär disease, type 2, also called manic depression, which in Åsa Lindholm's dramatization is has already played successfully at city theaters in Gothenburg and Uppsala. When Sunil Munshi, also current with "Lady Hutton's lover" in Uppsala, put it up in Dramatic so it is with death rock feel and an abundance of gallows humor. And the ceiling hanging microphone on a wire. As a lifeline and snare at the same time.
The monologues of our time, and with women, almost always involves deeply tragic condition suicidal thoughts and eating disorders - think Sarah Kane's "4:48 Psychosis" and also in a straight line through the Lo Kauppi "Bergsprängardottern that exploded" and now Ann Heberleins piece - is another thing to ponder after strålkastarljusen has gone out in the auditorium.