Gustaf's Theatre Works

[christine73]

I thought it would be fun to have a thread to focus on Gustaf's theatrical work.

Even though Gustaf is not currently working in theatre at the moment, I think for any Gustaf fan, the chance to familiarize oneself with his work will be a great thing. We will have some articles that WonderingStar has found that we will get posted, I would like to try to find various video clips as well. I know I'm really looking forward to learning
more about his work in the theatre.

[christine73]

Posted by Wanderingstar78
Jan 13, 2015

I've been binge watching Vikings S2, in prep for the debut of S3. I was curious about one of the actresses
in the last episode and went over to IMDB to look her up when lo and behold, I found the following!!!

Here is the original IMDB thread: www.imdb.com/title/tt2306299/board/nest/238220874?ref_=tt_bd_1


I think this might be from Hamlet:

www.stadsteatern.stockholm.se/press/pinfo/0000065100051.jpg



This seems to be from The Serious Game:

www.stadsteatern.stockholm.se/press/pinfo/0000046800041.jpg



From Den allvarsamma leke
nummer.se/den-allvarsamma-leken/


www.nt.se/public/img/3538696/042302907/karlek-med-fin-de-sicle- kansl?w=790&mode=crop&scale=both&anchor=topcenter



www.slynglar.com/scen/lulu.htm



I think this is the Gurra pic from the article



And finally, a small clip from The Merchant of Venice:

[christine73]

Posted by Wanderingstar78
Jan 13, 2015



www.folkbladet.se/nyheter/annu-en-slyngelroll-for-gustaf-skarsgard-2757835.aspx

STOCKHOLM (TT SPEKTRA) Gustaf Skarsgård gör nästa stora roll i SVT:s julsatsning, "Swedenhielms".
Och precis som i "Ondskan" spelar han en överklasslyngel.
- Det är smickrande för det ligger väldigt långt från den jag är, säger han.
Från att ha spelat överklassmobbaren Otto Silverhielm i årets största svenska film, "Ondskan", går Gustaf Skarsgård till
nästa roll, som överklasslyngeln Bo Swedenhielm i en av årets största tv-händelser, nyinspelningen av "Swedenhielms"
som sänds på juldagen i SVT1.
- Han är en slacker, säger Gustaf Skarsgård om sin rollfigur och skrattar. Det ordet fanns ju inte då, men det är vad han är.

Bo Swedenhielm är yngste sonen i familjen Swedenhielm. En flyglöjtnant som känner sig tvungen att göra slut med sin rika flickvän
och dessutom anklagas av sin far (spelad av Sven-Bertil Taube) för att ha förfalskat faderns namnteckning på lånereverser.
Liknelserna mellan de båda rollfigurerna är talande. Det handlar om rikemansbarn som hamnat lite snett i tillvaron, på 2000-talssvenska
skulle de kallas "brats" och först i kön för att få spela sådana roller i år finns Gustaf Skarsgård.
- Det är ju för att jag själv är en brat..., säger han och skrattar. Nej, jag vet inte. Jag umgås inte med dem, men jag har sett dem på långt håll
på stan och känner inget större behov av att umgås med dem.
Han ser det som smickrande att få göra roller som är så väsenskild från den han själv är. Det visar att han är en duktig skådespelare.

Klassisk pjäs
"Swedenhielms" är ett klassiskt svenskt teaterstycke, skrivet av Hjalmar Bergman och med stora skådespelare som Gösta Ekman den äldre,
Ingrid Bergman, Jarl Kulle och Edvin Adolphson som gestaltare av rollerna i olika uppsättning för teatern, i tv och på film.
Nu återfinns Gustaf Skarsgård i en av de stora rollerna i vad som är en av SVT:s stora satsningar i år. Det är ytterligare ett tecken på att han
tagit hästkliv framåt på karriärstegen under 2003. Men själv viftar han bort sånt prat.

- Min subjektiva upplevelse att året inte alls är relaterat till filmpremiärer och sånt. That´s it, säger han avvärjande.
Han fortsätter:

- Jag vill inte gå in i snaran och värna om mitt eget varumärke. Jag klipper inte ur tidningar utan försöker leva mitt
privatliv i fred och fokusera på det jag gör nu. Han sticker dock inte under stol med att han vill till Hollywood.
Han är erbjuden att åka över till USA och prata om sig själv, men drar lite på det. Vet inte när det passar in och han
har inte bråttom. Här hemma finns det roller som väntar. Härnäst blir det en huvudroll i "Var man" på Lejonkulan på
Dramaten i Stockholm, premiär i februari. Det är en stark pjäs om en nynazist och en ung kille som dras in i den världen.
Återigen en roll om en man som hamnar på glid i tillvaron. Gustaf Skarsgård gör hellre sådana roller än spelar romantisk
i en kärlekskomedi.

- Nej, det är inte lika kul. Det innehåller ju ingen dramatik. Det är inte så kul att vara gullig, säger han och skrattar.

*******************************************************************************************************

Google translate version:


Gustaf Skarsgård is this year's favorite actor for punk roles. In the remake of "Swedenhielms" which airs on Christmas Day
in BBC1 he makes the role of överklasslyngeln Bo Swedenhielm. PHOTO: OLA Torkelsson / PRESS PHOTO

Another punk role for Gustaf Skarsgård

STOCKHOLM (TT SPECTRA) Gustaf Skarsgård do next major role in SVT's julsatsning, "Swedenhielms."
And just like in "Evil", he plays an upper class punk.
- It's flattering for it is very far from who I am, he says.

From playing upper-class bully Otto Silverhielm in this year's Swedish film "Evil", go Gustaf Skarsgård to the
next role, as överklasslyngeln Bo Swedenhielm in one of the year's biggest television events, the remake of "Swedenhielms"
which airs on Christmas Day in BBC1.
- He is a slacker, says Gustaf Skarsgård about his character and laughs. The word did not exist then, but that's what he is.

Stay Swedenhielm is the youngest son in the family Swedenhielm. A flight lieutenant who feels compelled to break up with his
rich girlfriend and additionally accused by his father (played by Sven-Bertil Taube) of having forged his father's signature on the
promissory notes. Parables between the two characters are appealing. It's all about the rich man's children who ended slightly askew
in existence, the 2000s Swedish, they would be called "brats" and the first in line to get to play such roles this year's Gustaf Skarsgård.
- It's because I myself am a brat .. ., he says, laughing. No, I do not know. I do not socialize with them, but I have seen them afar on the
town and feel no greater need to spend time with them.

He sees it as flattering to have to do roles that are so completely different from the one he is. It shows he's a good actor. "Swedenhielms"
is a classic Swedish theater piece, written by Hjalmar Bergman and with great actors like Gösta Ekman, Ingrid Bergman, Jarl hill and Edvin
Adolphson as gestaltare of the roles of the various set for the theater, on television and on film. Now it's Gustaf Skarsgård in one of the major
roles in what is one of SVT's major initiatives this year. It is a further sign that he had taken the horse strides forward on the career ladder in 2003.
But he himself waving away like that talk.- My subjective experience of the year is not at all related to film premieres and stuff. That's it, he says
deterrence. He continues:

- I do not want to go into the snare and care about my own brand. I do not cut from newspapers without trying to live my life in peace and focus
on what I'm doing now. He stands not hide the fact that he wants to Hollywood. He offered to go over to the United States and talk about himself,
but still draws on it. Do not know when it fits in and he's in no hurry. Here at home, there are roles that await. Next, it becomes a major role in the
"Where" on Lejonkulan at the Royal Dramatic Theatre in Stockholm, premiered in February. It is a strong piece about a neo-Nazi and a young guy
who pulled into the world. Again a role of a man adrift in life. Gustaf Skarsgård'd rather do than play such roles in romantic love comedy.

- No, it's not as fun. It contains's no drama. It's not as fun to be cute, he says, laughing.

[christine73]

Posted by Wanderingstar78
Jan 13, 2015

The original press release for Gustaf's "The Serious Game": www.stadsteatern.stockholm.se/press/pinfo/0000048700010.pdf

And the Google translate version:

Gustaf Skarsgård and Livia Millhagen in one of the 1900s main passion dramas

Arvid and Lydia.
One summer they are in love.
But life intervenes and they marry others.
Many years later, they are seen again.
Now it seriously and divorce seems the only way.
But what happens to the passion?
Need the obstacles to survive?

One of the 1900s the greatest love stories, The Serious Game by Hjalmar Söderberg, haspremiered at the Stockholm
City Theatre on 28 March. Film director Daniel Lind Lagerlof makes itsdebut as a theater director.
Gustaf Skarsgård stars as Arvid and LiviaMillhagen plays Lydia Stille.

Daniel Lind Lagerlof:
- The Serious Game is the piece that Hjalmar Soderberg would have written today, while Gertrude'sthe piece that he wrote then

- There is a quality of the text and that is that everyone can recognize themselves in it. Production designer and I, who are very
different people, during rehearsals, said that "this has happened to me!". Everything is veryeasily understandable, but exactly.
We all have to some extent an inability to live in the moment, to be satisfied with what wehave, there is always a desire for
something else.

- Naturalism is completely uninteresting on the stage, while the film is the only one possible. The film istraditionally limited.
At the theater to make a different agreement with the audience. We are there toplay, otherwise we might as well go home.
It is completely free in its design and in exploiting it.

- Many people have told me earlier that I am a theater director who makes films so it was time now. I think about working
with the actors and the theater are of course completely different conditions for it.One can go in depth in a way that no one
really has the opportunity to movies.

Daniel Lind Lagerlof works as a film director and screenwriter, and has worked with bothfilm and television, including
The Pyramid (2007), Miffo (2003),
His and Hers (2001), Way Out (1999).

Gustaf Skarsgård has previously starred in Bash (2001) on the Stockholm City Theatre. On television, he has, among
other things participated in Snapphanar, Swedenhielms and Cleo. Gustaf got a chafer for Best Supporting Actor for her
performance in Förortsungar 2006. Right now, can the cinema to see him in Iscariot and Arn - The Kingdom at road's end.

Livia Millhagen debut at the Stockholm City Theatre with the role of Lydia. In the movie, we have previouslybeen able
to see her among other things, that Carola in the film Miffo, a role she Guldbagge nominated for

[christine73]

Posted by Wanderingstar78
Jan 13, 2015

www.blt.se/kultur-noje/gustaf-skarsgard-med-egen-identitet/


Gustaf Skarsgård - med egen identitet
I tre projekt har han utforskat ondskans drivkrafter. I Den osynlige var han offret, i Ondskan förövaren. När Gustaf Skarsgård gör Dramatendebut
i Var man är han ondskans redskap - en ung, osäker kille som bygger sin identitet med hjälp av nazismen..

KULTUR & NÖJE 9 februari 2004

- Det är mest en slump att det blivit så. Men jag tycker om att gestalta människor som är mångtydiga, som har flera bottnar, säger han.
Han bygger en egen karriär på stadig grund. Gustaf Skarsgård väljer de projekt han medverkar i med omsorg. Sitt genombrott fick han i filmen
Den osynlige, där hans rollkaraktär Nicklas misshandlades och frystes ut av Tuva Novotnys mobbare. Just nu kan han ses i Ondskan som Otto
Silverhielm, överklasslyngeln som upprätthåller internatskolans fina traditioner med vidrig pennalism

I sitt nya projekt, teaterpjäsen Var man av Greta Sundberg, spelar Gustaf Skarsgård inte renodlat ond eller god. Han är både offer och förövare
i samma person - en vanlig, osäker grabb som söker en gemenskap och ett sammanhang och halkar fullständigt snett. 18-årige Kristian börjar
hänga med rasisten Tobbe och färgas alltmer av hans hatiska åsikter om albaner, somalier, kaffrer och träskaraber. Tobbe gillar inte att Kristians
tjej Sanna umgåtts med invandrare - och kräver att Kristian ska lära henne en läxa.

I teatersalongen är det alldeles tyst efter föreställningen. Ett par av de högstadietjejer som sett pjäsen tillsammans med sina skolkamrater gråter tyst.
Tonträffen i den rasistiska retoriken, spelet mellan de båda testosteronstinna killarna och pjäsens våldsamma upplösning skapar en obehagligt tät
stämning i teaterrummet.

Lite paradoxal
- Kristian är lite paradoxal på något sätt - på samma sätt som alla vi människor. Han är så blyg och rädd och charmig, men kan slå om och bli så hård
och aggressiv. Jag försöker spela på just det. Man märker att publiken tycker mycket om den här killen och att det blir svårt för dem när han blir så
grov och grym, säger Gustaf Skarsgård.

När vi möts har han bytt armébyxorna och Doctor Martens-kängorna mot sina egna kläder. Lugn och samlad sitter han i Dramatens guldtyngda foajé
och talar om hur viktigt det känts att medverka i Var man. Han kallar pjäsen för "akutteater" - en föreställning för den goda saken.

- Det är så väldigt påtagligt för en god sak, säger han. Så känner man inte när man spelar till exempel Körsbärsträdgården. Det har varit väldigt lätt att
underordna sig sammanhanget. Och det känns bra att den ska spelas för ungdomar.
Var man utgår från en gedigen research. Greta Sundberg har läst mängder av litteratur om nynazismen och intervjuat flera avhoppade nynazister. Under
repetitionerna har skådespelarna haft stort stöd av organisationen Exit som hjälper avhoppare. Efter varje föreställning pratar en person från Exit med publiken
och fångar upp tonåringarnas frågor och undringar.

Gror under ytan

- När jag tackade ja till att medverka i pjäsen visste jag inte hur aktuellt problemet var, säger Gustaf Skarsgård. Förut hängde ju skinnskallarna på helikopterplattan.
Nu syns de inte. Då är det lätt att tro att problemet inte finns. Nu ligger det mer och gror under ytan, det har blivit osynligare och mer presentabelt - men det är
fortfarande samma jävla skit.

Gustaf Skarsgård har bott på Södermalm i Stockholm sedan han var liten. Teatern och skådespeleriet har alltid funnits i hans omgivning.
Visst är det tröttsamt att ständigt nämnas i samma andetag som sin pappa Stellan eller som storebror Alexander. Men Gustaf Skarsgård svarar ändå artigt när folk
frågar honom hur han påverkats av sin uppväxt och om han tror att han haft lättare att få jobb än andra för att han heter Skarsgård i efternamn.

- För mig har det nog varit en hjälp mer än en stjälp, säger han. Jag tror att många dörrar har öppnats för mig på grund av mitt namn - men sedan har det varit upp
till mig att gå igenom dem på egen hand. För mig är det viktigt att visa att jag är en självständig skådespelare. (PM)

*****************************************************************************************************************************************************************************

The Google translate version:


Gustaf Skarsgård - with its own identity
In three projects he has explored evil forces. In The Invisible he was the victim of evil perpetrator. When Gustaf Skarsgård makes Drama Debut Where
is he evil tool - a young, insecure guy who builds his identity with the help of Nazism.

ARTS & ENTERTAINMENT February 9, 2004

- It's best chance to become so. But I like to portray people that are ambiguous, which has several bases, he says.
He built a career on a firm footing. Gustaf Skarsgård choose the projects he is involved in the care. His breakthrough came in the film The Invisible, where his
role player Nicklas beaten and frozen out of Tuva Novotny bullies. Right now, he can be seen in Evil Otto Silverhielm, överklasslyngeln that maintains the
boarding school fine traditions with obnoxious Bullying

In his new project, the stage play Where to Greta Sundberg, playing Gustaf Skarsgård is not purely good or evil. He is both victim and perpetrator in the same
person - an ordinary, insecure guy looking for a community and a context and slips completely wrong. 18-year-old Kristian begin to keep up with the racist Tobbe
and stained more and more of his hateful opinions about Albanians, Somalis, Kaffirs and the Marsh Arabs. Tobbe do not like Christian's girl Sanna spent time with
immigrants - and require that Christian will teach her ​​a lesson.

In the theater, it is silenced after the show. A couple of school girls who had seen the play along with their schoolmates crying silently. Tonträffen in the racist
rhetoric, the game between the two testosterone-fueled boys and the play's violent dissolution creates an uncomfortable dense atmosphere in the theater room.

A little paradoxical - Kristian is a bit paradoxical in any way - just as all humans. He's so shy and scared and charming, but can change and become so fierce
and aggressive. I try to play on just that. You notice that the audience really like this guy and make it difficult for them when he gets so rough and cruel, says
Gustaf Skarsgård. When we meet, he has changed the army trousers and Doctor Martens boots against their own clothing. Calm and collected he sits in Dramatic
gold-laden lobby and talk about how important it failed to participate in the male. He calls the piece "emergency theater" - a performance for the good cause. - It is
so very manifest for a good cause, he says. So we do not know when playing such Cherry Orchard. It has been very easy to subordinate itself to the context.
And it feels good that it should be played for the youth. Each one starts from a thorough research. Greta Sundberg have read lots of literature on neo-Nazism and
interviewed several renegade neo-Nazis. During rehearsals, the actors have had the great support of the organization Exit helping defectors. After each performance,
one person talks from Exit with the audience and captures teens' questions and issues.

Germinate under the surface - When I agreed to take part in the play I did not know how up to date the problem was, says Gustaf Skarsgård. Before hanging the
skinheads on the helicopter pad.Now they are not visible. Then it is easy to believe that the problem does not exist. Now there's more and germinate beneath the surface,
it has become more invisible and more presentable - but it's still the same fucking shit. Gustaf Skarsgård has lived in Stockholm since he was little. The theater and acting
has always been in his surroundings. Sure it's tiring to constantly be mentioned in the same breath as his father Stellan or big brother Alexander. But Gustaf Skarsgard answers
yet polite when people ask him how he was influenced by his upbringing and if he thinks he found it easier to get a job than others in his name Skarsgård surname.
- For me it has probably been a help more than a hindrance he says. I think many doors have opened for me because of my name - but then, it has been up to me to go through
them on your own. For me it is important to show that I am an independent actor. (PM)

[christine73]

Posted by Wanderingstar78
Jan 13, 2015

Hamlet stills:

www.sydsvenskan.se/kultur--nojen/shakespeareturne-i-varldsklass/



nummer.se/hamlet-id-like-to-fuck/



www.stadsteatern.stockholm.se/press/pinfo/0000065100151.jpg



sverigesradio.se/sida/images/478/860139_366_235.jpg?preset=article-auto-height



thetheatergeek.files.wordpress.com/2011/10/gustafhamlet01-2.jpg

[christine73]

Posted by Wanderingstar78
Jan 13, 2015

Nice article/synopsis of Lulu

The original article: www.gp.se/nyheter/1.131428-dodsdans-kring-dromkvinnan

And the Google translate version:

Published September 18, 2006
Updated September 16, 2009

Dance of Death around the dream woman

Theatre Royal Dramatic Theatre, Small Stage Lulu by Frank Wedekind Registration and Set Design: Ole Anders
Tandberg
Cast: Livia Millhagen, Magnus Roosman, Gustaf Skarsgard, Johan Holmberg et al Lulu had been well worth
a place at the Royal Dramatic Theatre instead of the small.


Lulu is a projection of men's desires. For his "father", she is a commodity; for its Ancient of first husband a kinky girl companion.
Her second husband, artist, pretending that she is a virgin; for the third, she sexbomben he rescued from the street. They call
her Mignon, Eve, Nelly until she forgot what her real name. She just can undress, do not get dressed - "well I do not know myself."

At the Royal Dramatic scene is transformed projection tank to the set design. Livia Millhagens Lulu curl up in a fetal position as
the next moment, with little legs apart, becomes a porn invitation to any man behind. Next to her, a camera slamming up her
face over the white scenkubens all the walls.

Large tear-filled eyes, as in a hunted woman in a 50th century melodrama. Just by projection, we get a glimpse of her distress.

Otherwise, this Lulu so horribly empty that you almost forget it's for her (?) men bend curl, rants, löjlar himself, crying - dies.
And they do it! The all active Lucas Svensson has cut up an efficient three-hour drama from Frank Wedekinds censorship
coated drama from 1894.

Ole Anders Tandberg's director creates an unlikely meeting between comedy comedy, stylized expressionism and licked design.
Several of the actors make wonderful potensdesarmerande role interpretations:

Johan Holmberg transforms the ordinary alluring artist to a neat scared rabbit. The same Holmberg's deadly parody of the
turn of the century "negro" -kliché, the humor of it more orgiastic battle. Also Tommy Nilsson's perverted old men and
Gustaf Skarsgård young lovers are worthy of a place in long-term memory.

Lulu's character may remain elusive: she is not only the victims or temptress. She is an emotionally mutilated children
playing aimlessly. Biggest gets her betrayal against lesbians Countess von Geschwitz (Inga-Lill Andersson) - the only
one who actually is willing to sacrifice anything for his love. She can be my heroine.

[christine73]

Posted by Sunshineau
Jan 24, 2015





gustafskarsgard.livejournal.com/3992.html?thread=18840

[christine73]

Posted by blueberry12
Jan 24, 2015

Yes , Gurra's Hamlet was the best show I've ever seen. And most theatre critics in Sweden have the same opinion.

[christine73]

Posted by Sunshineau

Below is an interview from 2007 with Gustaf discussing Hamlet. To get a better view, click on the article and a new tab will open.

[christine73]

Posted by Sunshineau

Here is the translated version of the above interview.

Gustaf Skarsgård plays Hamlet in Stockholm - Hamlet is the wrong guy in the wrong place at the wrong time.

Next year marks the 50th year for the Stockholm City Theatre. They celebrated with an anniversary and a lot of exciting premieres throughout the year. First up is the pieces play Hamlet which has premiered on New Year's Eve with Gustaf Skarsgard in the lead role.

GUSTAF SKARSGÅRD thinks Hamlet is a fantastic piece and to play the lead role is a bit of a dream for him.

- It's great to finally get to do the play. It is so rich and holds so much. That it is paradoxical makes it extra true. The play contradicts itself and I think it's a big reason why the play has survived all these years.

City Theatre VERSION OF HAMLET is quite drastically shortened It is, above all, focus on the nuclear family, which makes it a bit more of a Chamber play. As for the character Hamlet says Skarsgard they focus heavily on his illness and insanity; that Hamlet is crazy, though is still right. But just because he is right, he is not for that reason less sick.

It is interesting to insanity. A fool hits the right far more often than healthy normal people. Hamlet is the wrong guy in the wrong place at the wrong time. He is really a sensitive type of artist in a harsh patriarchal reign, and he is also expected to become king, and be this flailing gallant macho art. It is mentioned so much in the play that it is unmanly to cry. He is ahead of its time and are not really home here. Hamlet is the only that is healthy in a sick world and that that's why he gets mad.

ALL ACTORS HAVE DIFFERENT WAYS to prepare for his role. Some To see the other sets to get inspiration on how others interpret it, but not Gustaf Skarsgård.

No, it has always taken me a bit to go see Hamlet, at least in the theatre. I think I subconsciously may have had a resistance to seeing it, because I love the piece and have read it so much. I have always known that it is my role and do not want to see someone else do it. But I have seen some movies because it is not the same thing. In the movie, I feel not as threatened.

WHEN IT COMES Hamlets RELATIONSHIP to Ofelia Skarsgard does not want to say so much about it. He believes that it is open to interpretation and that there is no right or wrong.

It's the play's greatness. That is why there has been so many books about it. One can interpret everything pretty drastically and still get it to stay together. In the play may be never see how their relationship is. The first scene they have together is where Hamlet tells her to go in the monastery. There he is anything but charming and loving.

Still GUSTAF SKARSGÅRD thinks Hamlet sincerely feels that he loves Ophelia. But he believes that it is more a picture of love as Hamlet loves Ophelia than as a person.

Or a combination! But I think yet he really has idolized her. Therefore, she becomes a representative for his love and his romance, which in turn means that he can more easily make her representative for his misogyny.

KATRINE WIEDEMANN who now directs Hamlet City Theatre set up Romeo and Juliet at the Royal dramatic Theatre in 2002, then in partnership with Cirkus Cirkör. She is a successful Danish Director and Gustaf Skarsgård describes her as very visual and conceptual.

She is open and relaxed, but determined when she knows what she wants. She works a lot with his set designer and has an imagery which is very strong. That, I think, raises a lot of emotions in the audience. But she is not completely dogmatic in their own ideas, but is prepared to think about whether the picture stands in the way of history.

WHEN IT COMES TO SHAKESPEARE PLAYS - Gustaf Skarsgård, among others, have played in the merchant of Venice (Bassanio), and like for like (Claudio) at the Royal dramatic Theatre before, and he thinks It is a great challenge to play Shakespeare.
I think it's funny. It is amazing how easy playing pieces are despite the fact that it is such an exalted language. This is where Shakespeare is a genius. It's not just in your head, not just words, but there is always a corporeal presence in the text and is almost inconceivable how it can be compatible with such a lyric text. He is so incredibly ahead of his time in his understanding of man, on a psychological and spiritual planes, something that permeates his plays, and perhaps Hamlet most.

GUSTAF SKARSGÅRD LIKES IT. There is an emotional logic in the plays and says that, despite blank verse, play themselves almost automatically, just like a well-written contemporary text. This means that he does not believe that Shakespeare's plays ever will become outdated. They are so universal and infinite. So long as man is man, Shakespeare will never be unfashionable. He's probably the best playwright ever, including those that exist today, who have understood most of mankind.


Google and Bing Translation.
Original Swedish Source: www.shakespearesallskapet.se/Gustaf%20Skarsg%E5rd.pdf

Long lost words whisper slowly to me...

[christine73]

Posted by ohva

Skämmerskans Dotter

I wasn't quite sure where to post this nice link that Blueberry left for us, but since it was a radio show, I thought 'theater' might do the trick.

Thank you Blueberry!!

GOOGLE TRANSLATE

Published on June 14, 2012
The plot of the spoils Redoubt daughter is taken from the book of the same name and has become an international success. Both critics and readers have come to love
Lene Kaaberbols magical fantasy tale.